Leading psychologist Charles Fernyhough blends the most current science with literature and personal stories in Pieces of Light: How the New Science of Memory Illuminates the Stories We Tell About Our Pasts. A new consensus is emerging among cognitive scientists: rather than possessing fixed, unchanging memories, they have found that we create recollections anew each time we are called upon to remember. According to psychologist Charles Fernyhough, remembering is an act of narrative imagination as much as it is the product of a neurological process.
This is the first full-scale history of Mass-Observation, the independent social research organisation which, between 1937 and 1949, set out to document the attitudes, opinions, and every-day lives of the British people. Through a combination of anthropological fieldwork, opinion surveys, and written testimony solicited from hundreds of volunteers, Mass-Observation created a huge archive of popular life during a tumultuous decade which remains central to British national identity. The social history of these years has been immeasurably enriched by the archive, and extracts from the writings of M-O’s volunteers have won a wide and admiring audience.
Waste Matters is the first collection of sociologically informed approaches to be published on the globally important, yet largely under-researched, topic of food waste. In recent years, social scientists have begun to conceptualize waste as dynamic matter that shapes processes of cultural and economic organization. Bringing together theoretical and empirical contributions from a range of perspectives, these original papers extend such developments to the analysis of food.
From the Jaws of Victory:The Triumph and Tragedy of Cesar Chavez and the Farm Worker Movement is the most comprehensive history ever written on the meteoric rise and precipitous decline of the United Farm Workers, the most successful farm labor union in United States history. Based on little-known sources and one-of-a-kind oral histories with many veterans of the farm worker movement, this book revises much of what we know about the UFW.
In this novel account of distinctively human social cognition, Tadeusz Zawidzki argues that the key distinction between human and nonhuman social cognition consists in our complex, diverse, and flexible capacities to shape each other's minds in ways that make them easier to interpret. Zawidzki proposes that such "mindshaping" -- which takes the form of capacities and practices such as sophisticated imitation, pedagogy, conformity to norms, and narrative self-constitution -- is the most important component of human social cognition.
This is the first volume to present a comprehensive collection of sources on Chinese women's history. The anthology explores overt and covert information on Chinese women across a vast number of textual and non-textual materials, as well as conventional and unconventional sources. ... The collection is an invaluable work completed by a committed group of more than twenty scholars, writing from different locations across the world.
Against Security explains how our anxieties about public safety have translated into command-and-control procedures that annoy, intimidate, and are often counterproductive. Taking readers through varied ambiguously dangerous sites, the prominent urbanist and leading sociologist of the everyday, Harvey Molotch, argues that we can use our existing social relationships to make life safer and more humane.
In the last six decades, one of the most striking developments in international law is the emergence of a massive body of legal norms and procedures aimed at protecting human rights. In many countries, though, there is little relationship between international law and the actual protection of human rights on the ground. Making Human Rights a Reality takes a fresh look at why it's been so hard for international law to have much impact in parts of the world where human rights are most at risk.
This major collection of essays, a sequel to Modernity at Large and Fear of Small Numbers, is the product of ten years’ research and writing, constituting an important contribution to globalization studies. Appadurai takes a broad analytical look at the genealogies of the present era of globalization through essays on violence, commodification, nationalism, terror and materiality.
We live in a world that is awash in visual storytelling. The recent technological revolutions in video recording, editing, and distribution are more akin to the development of movable type than any other such revolution in the last five hundred years. And yet we are not popularly cognizant of or conversant with visual storytelling’s grammar, the coded messages of its style, and the practical components of its production. We are largely, in a word, illiterate.
In this seminal volume leading language and literacy scholars clearly articulate and explicate major social perspectives and approaches in the fields of language and literacy studies. Each approach draws on distinct bodies of literature and traditions and uses distinct identifiers, labels, and constellations of concepts; each has been taken up across diverse global contexts and is used as rationale and guide for the design of research and of educational policies and practices.
Author Kevin Bartig examines how [Sergey] Prokofiev's film music derived from a self-imposed challenge: to compose "serious" music for a broad audience. The picture that emerges is of a composer seeking an individual film-music voice, shunning Hollywood models and objecting to his Soviet colleagues' ideologically expedient film songs. ... Prokofiev carefully balanced his own populist agenda, the perceived aesthetic demands of the films themselves, and, later on, Soviet bureaucratic demands for accessibility.
What role did music play in the United States during World War II? How did composers reconcile the demands of their country and their art as America mobilized both militarily and culturally for war? ... Drawing on music history, aesthetics, reception history, and cultural history, Sounds of War recreates the remarkable sonic landscape of the World War II era and offers fresh insight to the role of music during wartime.
The Pre-Raphaelite Brotherhood shook the mid-19th-century art world. Effectively Britain’s first modern art movement, the Brotherhood combined rebellion and revivalism, scientific precision, and imaginative grandeur. Today, the works of the Pre-Raphaelites are among the best known of all English paintings, and yet they have often been dismissed or misunderstood as Victoriana or escapism. This fascinating book convincingly corrects that view, examining works in a wide variety of media and demonstrating the broad scope of the movement’s revolutionary ideas about art, design, and society.
How to Read Literature is the book of choice for students new to the study of literature and for all other readers interested in deepening their understanding and enriching their reading experience. In a series of brilliant analyses, Eagleton shows how to read with due attention to tone, rhythm, texture, syntax, allusion, ambiguity and other formal aspects of literary works. He also examines broader questions of character, plot, narrative, the creative imagination, the meaning of fictionality, and the tension between what works of literature say and what they show.
A shift of global proportions occurred in May 1808. Napoleon Bonaparte invaded Spain and deposed the Spanish king. Overnight, the Hispanic world was transformed forever. Hispanics were forced to confront modernity, and to look beyond monarchy and religion for new sources of authority. A World Not to Come focuses on how Spanish Americans in Texas used writing as a means to establish new sources of authority, and how a Latino literary and intellectual life was born in the New World.
Filled with lavish illustrations, this book is a grand tour of the universe. Three ever widening domains are presented--the planets, the stars, and the large scale universe itself--each including the ones before it and extending outward. ... How did the universe begin? How will the universe end? We trace our theories back to the first fraction of a second of the life of the universe and listen to the speculations of cosmologists about how it might all have started.
Mary Virginia Orna details the history of color from the chemical point of view. Beginning with the first recorded uses of color and ending in the development of our modern chemical industry, this rich, yet concise exposition shows us how color pervades every aspect of our lives. Our consciousness, our perceptions, our useful appliances and tools, our playthings, our entertainment, our health, and our diagnostic apparatus – all involve color and are based in no small part on chemistry.